Unveiling Contemporary Reflections: Malika Igibayeva’s Not Enough Exhibition
Art is evolving to become more reflective and socially relevant in today’s world. Artists are using their work to address current social issues and provoke thought and emotion in viewers. A prime example of this trend is Malika Igibayeva’s debut exhibition, [not] Enough, which opened at the Sal Seri gallery in Astana on March 13.
In an interview with The Astana Times, Igibayeva, a digital artist and member of the Union of Young Artists of Kazakhstan, shared her insights into the exhibition. She explained that the title [not] Enough reflects a common human experience of feeling insufficiency in various aspects of life, from personal to global issues. The artworks in the exhibition aim to spark dialogue and contemplation on these themes.
Igibayeva’s journey in digital art began in 2017, and her exhibition features a range of digital works showcasing different techniques and materials. Each piece is a reflection of the artist’s thoughts and emotions, inviting viewers to interpret and engage with the art in their own way.
One unique aspect of [not] Enough is its ever-evolving nature. The exhibition will periodically update and refresh elements, shifting from a state of insufficiency to sufficiency and back again. The series “Aruaktar” stands out for its portrayal of ancestors in modern contexts, highlighting the link between past, present, and future.
For Igibayeva, the exhibition is not just a display of her skills but a platform for growth and exploration. She aims to make art accessible to all through projects like Meet&Sketch and SHU, which encourage collaboration and creativity among artists of all levels.
By showcasing digital art in a gallery setting, Igibayeva’s exhibition is a significant step for the recognition of digital artists as serious creators deserving of a place in the art world. It demonstrates the power of art to engage, inspire, and challenge perceptions, paving the way for more diverse and inclusive artistic expressions.
